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Course No
رقم المساق
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Course Name
اسم المساق
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Credit hours
الساعات المعتمدة
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Course Description
وصف المساق
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| 6106 |
3D Game Development |
3 |
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| 6107 |
Advance Character Animation |
3 |
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| 6108 |
Research and Critical Approaches: Animation |
3 |
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| 6109 |
Skills and Development: Animation Practice |
3 |
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| 6110 |
Advanced Topics in Visual Effects |
3 |
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| 6111 |
Advanced Storyboarding |
3 |
|
| 6112 |
Advanced 3D Character |
3 |
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| 6113 |
Advanced 3D Rigging |
3 |
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| 6114 |
Advanced 3D Scripting |
3 |
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| 6115 |
Multimedia and technology |
3 |
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| 6116 |
Advanced Topics in Multimedia |
3 |
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| 6117 |
Multimedia Data Management |
3 |
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| 6118 |
Multimedia Security course |
3 |
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| 6119 |
Multimedia and Artificial Intelligent |
3 |
In this course students will learn how to use Artificial Intelligence (AI) with multimedia components, explore use cases and applications of AI with multimedia, understand AI concepts and terms like machine learning, deep learning and neural networks. You will be exposed to various issues and concerns surrounding AI such as ethics and bias, & jobs, and get advice from experts about learning and starting a career in multimedia using AI.
This course does not require any programming or computer science expertise and is designed to introduce the basics of AI with multimedia to anyone whether you have a technical background or not.
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| 6120 |
Advertising in the digital age |
3 |
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| 6121 |
Entertainment and education design |
3 |
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| 6122 |
Methods for Design Research |
3 |
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| 6123 |
Design Management and Entrepreneurship |
3 |
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| 6124 |
Design Innovation |
3 |
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| 6125 |
Computer Vision |
3 |
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| 6126 |
Biometrics |
3 |
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| 6127 |
Human-Computer Interaction |
3 |
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| 6128 |
Data Visualization |
3 |
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| 6129 |
Advanced Computer Graphics |
3 |
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| 6130 |
History of Art and visual culture |
3 |
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| 6131 |
Advanced Studies in Aesthetic |
3 |
Theoretical course, addresses advanced research in aesthetics, the emergence of aesthetics and its evolutionary from the era of ancient Greece passing in Islamic philosophy, Western modern philosophy and American continent philosophy to the contemporary aesthetic thesis in the technological era, and the emergence of contemporary philosophical doctrines that were based on the dismantling of classical binaries in aesthetic concepts. |
| 6132 |
Contemporary Arts, Conceptual Arts |
3 |
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| 6133 |
Structural Analysis of moving and still image |
3 |
Theoretical course : addressing analytical research in the structure of the image and its basic elements, and awareness of expressive values in the structure of the image and its intellectual semantic as a multi-purpose form and intellectual discourse, that by examining the image and its development in human consciousness, studding the instrument shifts and expression of the image, the semantic structure of the image, the conflict between form and content, and studding the technical shifts to express the Fixed and moving image throughout history |
| 6134 |
An Introduction to Artistic Criticism |
3 |
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| 6135 |
New Media, Innovation and Research I |
3 |
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| 6136 |
New Media, Innovation and Research II |
3 |
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| 6137 |
Sociology and psychology of Arts |
3 |
Theoretical course: a studding of the most important scientific theories intertwined with the fields of artistic creativity, includes a study of the most prominent theories in the field of psychology and t sociology which attempted to interpret artistic activity, focusing on the theories of Freud and Gustav Jung , whom saw the arts as an individual activity based on psychological and individual perspectives, and theories of sociologists that looked at artistic activity, as social phenomenon related to the environment and race |
| 6138 |
Artistic Skills |
3 |
|
| 6139 |
Internships in Media and Design |
3 |
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| 6140 |
Advanced Motion Capture Studio |
3 |
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| 6141 |
Documentary Studies |
3 |
Important past works will be selected to talked about the choices of ideas, narrative strategies, shooting techniques, and producing skills of varied kinds of documentaries, with special focus on the core concepts and rules of production. Students can get clear ideas of the documentary production process and the duties of directors’. Through the introduction of documentary history, the analysis of works and others, they can grasp the main features of documentary, master shooting skills and rules, and get a better understanding of audio-visual languages. |
| 6142 |
The Art and Craft of Film |
3 |
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| 6143 |
Screen Writing Fundamentals |
3 |
|
| 6144 |
Film exhibition, administration and education |
3 |
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| 6145 |
Digital Film and Culture |
3 |
The objective of this course is to provide a critical understanding of the relationship between film and digital technology, assessing the impact of digital filmmaking on film production and film theory. Through task-based learning, students will be asked to consider the impact of digital media on our relationship to visual culture. The course will consider what the place of film (and cinema) is in the digital age and the impact which digital technology has on our relationship to visual media. |
| 6146 |
Special Topics - Professional Development |
3 |
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| 6147 |
Post-Production Sound Design |
3 |
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